Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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DOMENICO VENEZIANO
Annunciation (predella 3) dfg

ID: 06441

DOMENICO VENEZIANO Annunciation (predella 3) dfg
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DOMENICO VENEZIANO Annunciation (predella 3) dfg


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DOMENICO VENEZIANO

Italian Early Renaissance Painter, ca.1400-1461   Related Paintings of DOMENICO VENEZIANO :. | St John in the Wilderness (predella 2) cfd | Portarit of a Young Woman (mk08) | The Stigmatization of St Francis (predella 1) df | Portrait of a Young Woman | Madonna and Child Enthroned with SS.Francis,john the Baptist,Zenobius,and Lucy |
Related Artists:
Girolamo Forabosco
1604-1679 Italian Girolamo Forabosco Location Italian painter. He was active in Padua and Venice, where he was enrolled in the Fraglia dei Pittori between 1634 and 1639 and paid taxes from 1640 to 1644. His early work, such as the portrait of the so-called Menichina (1624; Rome, Pal. Barberini), was influenced by that of Alessandro Varotari (Padovanino), who had revived the style of Titian. He also adopted compositional and formal schemes from Tiberio Tinelli, as in the Portrait of a Woman. The large canvas of the Miraculous Rescue (1646; Malamocco, S Maria Assunta), commissioned by Giovanni Ventura as an ex-voto for his escape from a shipwreck, shows Forabosco, unconstrained by the narrative and devotional character premises of the undertaking, creating a tender portrait group, distinguished by its spontaneity. The most striking quality of his work is its combination of physiognomic exactitude with free, fluid brushwork.
Peter Adolf Hall
painted Self-portrait in before 1793(1793)
Pavel Filonov
1883-1941 Pavel Filonov Locations Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.






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